The Real Photoshop

by Wanda Kamarga
Click for a better view of this.

Designers, this is what it looked like before it was made into software!

The Architecture of Cakes

MENTAL HEALTH BREAK!

So THIS is how cars are built. Detroit, get your cake on!

Alternative Uses of Architecture

Parkour, or Free Running, hit the global scene with the making of Jump London, in London in 2003. Since then, the skills of the art have been practiced vigorously on both high and low architectural structures. There is some contention that Parkour, founded by Frenchman, David Belle and Free Running, founded by Sebastien Foucan are really the same sport. However, the founders insist that there are distinct differences. Parkour as a discipline comprises efficiency, while free running embodies complete freedom of movement — and includes many acrobatic maneuvers. Although the two often look physically similar, the mindsets of each are vastly different. Parkour, strives for efficiency and humility, while Free Running strives for self-development and freedom. However, to make things simple, most in the West refer to all such activities as Free Running.

Just to emphasize the the importance of architecture to the sport, a new book "LA Climbs: Alternative Uses For Architecture" by author Alex Hartley, was recently released. The publication had a series of LA buildings analyzed not for architectural merit, but, rather, for how one might interact with the structure and space as field of unfolding sequences by someone running, hopping, climbing, as one would in Pakour or Free Running. The author provides a diagram of each structure he analyses for interaction. This use of architecture for sport could certainly give the planned functionality of the constructed world a wholly different slant. Heads up architects!

Earth Architecture

Ihlow House - Berlin, Germany

A vast legacy of traditional and vernacular earthen construction has been widely discussed, but little attention has been paid to the contemporary tradition of earth architecture. We liked this one featured at Earth Architecture. Earth Architecture focuses on building with earth in the modern era, particularly on projects constructed in the last few decades that use rammed earth, mud brick, compressed earth, cob, and several other interesting techniques.

Many assume that rammed earth construction is only used for housing in poor rural areas—but there are examples of airports, embassies, hospitals, museums, and factories that are made of earth. The Ihlow House, shown above, can be further explored here.

DESIGN ALERT: High Ceilings Spur Creative Thinking

Camino Restaurant, Oakland CA

We were intrigued by a recent study at the University of Minnesota, indicating that high ceilings spur creative thinking. The study concludes that people in a high-ceiling room are "primed" to think broadly because of the sense of freedom associated with the space... while the containment of a lower-ceiling room encourages people to think small and focused. Read the article. PDF

This study comes out of the emerging field of "atmospherics." Atmospherics, primarily used for retail / consumer studies, examines the ways in which people's environment affects their thinking and well-being, but until now most research had focused on sensory factors such as smell or background music, not structural aspects. This information about spatial relations, usually intuited by designers, is now a matter of science.

Financial Crisis cools the "Wow!" in Architecture.

Rendering, Burj Tower, Dubai

UK architect, David Chipperfield, a former Harvard University visiting professor has an explanation for the iconic-building frenzy. Architects, he says, are under pressure to deliver structures with "the `wow' factor'' that will attract funds and visitors. While the search for new form has been "liberating for the profession,'' it also `"produces a lot of rubbish,'' he says bluntly..."It's an architecture of excess, a consequence of there being too much money around,'' says the British architect. "At a time when people are worried about other things, those (projects) become really irritating, and probably less relevant. So I think we will see a mood shift -- a certain sensibility coming back.''

Here's his interview in Bloomberg.com.

Maya Lin, architect or artist?

Maya Lin

The New York Times offers this video essay on Maya Lin's most recent "Wave Field" installation at the magnificent and pastoral, 500-acre Storm King Art Center in New York. She is best known for the deeply moving Vietnam Memorial in Washington, DC. Lin won the competition for the memorial as a 21 year old student at Yale School of Architecture.

The video offers an inspiring look at her portfolio of projects and the vision behind her large installations, as well as, her smaller experimental works. It was interesting to us that she addresses, in this video, the feelings she encounters in her struggle between architecture and art.

Other Links to Maya Lin:
Documentary: "Maya Lin: A Strong Clear Vision"
PBS Bio
Peach Chapel
The Confluence Project

Blab! For Christmas? Pow!! Blam!!

This may be the gift for a design, comic / graphic
novel fan or historian in your life

BLAB!: A Retrospective
1 August – 2 November 2008

Marianna Kistler Beach Museum of Art
Kansas State University
701 Beach Lane
Manhattan, KS 66506

OK. You are probably not going to be in Manhattan, Kansas anytime soon. But here's the design scoop.

This exhibition features an eclectic gathering of stylistically varied work by alternative comics artists, illustrators, graphic designers, printmakers, and painters from BLAB!, the annual anthology of visual art produced by Chicago-based graphic designer and art director Monte Beauchamp.

BLAB! began in 1986 as a self-published fanzine (fan-produced magazine) devoted to MAD magazine and other EC Comics publications. Today it is a significant outlet for a wide variety of contemporary artists. BLAB!'s influence has cut a broad swath across contemporary visual culture. It has helped launch many artists' careers. It has introduced American audiences to important contemporary European graphic and comics artists. And, it has contributed meaningfully to the blurring of boundaries between alternative graphics and mainstream illustration. All of the work in this exhibition has been featured in BLAB!

The good news is that the exhibition catalogue is available for the comic book fans in your life (rumor has it that President-elect Obama is a serious collector of comic books and graphic novels.) 128 pages; 84 color illus.; graphic design by Monte Beauchamp; essays by David A. Beronä, Mark Frauenfelder, and Bill North; in-depth interview with Monte Beauchamp by Matt Dukes Jordan.
ISBN-13: 978-1-890751-15-9; $20.

You can purchase this collector item by credit card, call 785-532-7718. Send check or money order for $20.00 plus $4.00 for shipping (via UPS) for the first copy, $1.00 for each additional copy, payable to Beach Museum of Art at:

Marianna Kistler Beach Museum of Art
Kansas State University
701 Beach Lane
Manhattan, KS 66506

Banksy ALERT!

"Sweep" Banksy

Time Magazine offers a sweet little slideshow of Bansy works in conjunction with this article about a hilarious encounter between the pseudonymous Banksy and the Council of Westminster in London.

We promise not to post about Banksy again until 2009. But, we do love the way he plays with architecture. Also, his work stirs up community and forces it to engage in a dialogue. Very healthy. No? OK. No more Banksy before 2009.

Hallowgreen : BOO!

For designers who are looking for a counter-intuitive Halloween object to carve, this is it!

Here are the directions:

# Slice off bottom of watermelon so it won't roll around.
# Peel green skin off of the watermelon.
# Score brainy folds in white flesh.
# With a sharp paring knife, carve channels out of melon to resemble cortical folds.

BOO! Again!

Banksy's Pet Store

Famous British graffiti artist Banksy's first ever New York exhibition closes October 31. Get there if you can. The Big Apple for Halloween, think about it. Banksy's art installation, "The Village Pet Store and Charcoal Grill," will go down in art history. You will want to have BEEN there. Asked "Why a pet shop?" Banksy replied, "New Yorkers do not like art, they like pets. So I made a pet store."

Banksy's exhibit, a departure from his politically infused graffiti, features animatronic figures of familiar food, such as chicken. He puts the figures into weird situations that do not defy imagination, but, rather, boggle the mind. Banksy is attempting to explore our relationship with animals and the ethics and sustainability of factory farming, moving the viewer to question his or her conception of food and their relationship to it. A vegetarian will be the first to get it.

For those who won't make it to New York, here is the website for the exhibit. It is loaded with videos. Warning: Do NOT look at the sausage video. We're just sayin'. Here, also, is a good slide show provided by the BBC of images taken inside the fake pet shop.

The Banksy “Village Pet Store and Charcoal Grill” is open daily from now until Halloween, 10am until midnight! Midnight! Its location is 87th west and 7th. Not only is the exhibit free, but you’re allowed to take pictures/videos, too!

Event Alert!!

October 29, 2008

The Metropolis Tour: Brilliant Simplicity at MICA

Metropolis magazine and the Maryland Institute College of Art present a conversation with editor in chief Susan S. Szenasy on the pressing need for research in design. Szenasy will screen Brilliant Simplicity: 15 Designers Research Collaborate Innovate, a short film that traces the many ways innovation can happen. The Metropolis Tour was designed to challenge you to rediscover the innovator within. Sponsored by Haworth, Interiors from Spain, Shaw Contract Group and Wilsonart Contract. 7 p.m., Free. Maryland Institute College of Art, The Brown Center, Falvey Hall, Baltimore, MD. http://www.metropolismag.com/mica

World Architecture Festival : BARCELONA

Only seven days remain before 224 architecture firms from around the world prepare to compete for only one prestigious award. Showcasing all of the 722 projects submitted, the World Architecture Festival, 22-24 October, is the first event of its kind dedicated to architecture and architects from across the globe. Paul Finch, Editor of London's Architectural Review and Director of the awards, said that they wanted to “create an event where architecture was first in the chain”.

Participants at the event are aiming for one thing - to be the sole possessor of the World Building of the Year Award 2008. Despite the most diverse range of buildings competing there will be only one winner and there is no telling whether it will be a national stadium or a public toilet, anything goes.

China's Wild West

Yellow Sheep River Valley, China

We are very interested in how a sense of place manifests. Certainly the vernacular architecture of a place makes it unique. We came upon this slide show that James Fallows of The Atlantic magazine put together following a trip to western China, away from the urban spectacle and manufacturing prowess in eastern China. Fallows is interested, among many things, in how digital technology has transformed the tiny village of Yellow Sheep River. His story is about how two Taiwanese businessmen happened into the most rural part of China and thought: Let's bring it from the 15th century into the 21st.

It is an intriguing story. We recommend Fallows' article, "How the West was Wired," as well as his slide show. However, we were wowed by the slide show images of wind farms and the vernacular architecture as well as the village's physical community form. See what you think.

The car that might blow you away.

On October 9 MDI unveiled its answer to the need for clean air and urban mobility - the AIRPod. The AIRPod runs on compressed air! With its low price, zero pollution, high range and playful and futuristic design, the AIRPod marks a turning point in the nexus of automobile and urban transportation. And it will cost less than a Euro per 200 km to operate.

We are keeping posted on the vehicle which is promised to be available in the USA by 2010, with orders being taken in 2009. Here's the latest news in the bottom right corner of this link. Whooosh!

Home Delivery | To the Poorest

In July 2007, three Americans formed PFNC Global Communities -- PFNC stands for "Por Fin, Nuestra Casa," which roughly translates as "Finally, our own home." The company makes the homes you see above out of inexpensive, readily available, shipping containers. Their goal is to provide affordable housing for some of the poorest in Cuidad Juarez, Mexico. These poor now live in houses made of scraps of paper and tin. PFNC wants factories who employ these people to offer homes as part of workers' benefits. Their plan may be working.

These diminutive homes are 320 square feet, around $8,000 with kitchen, bath, sleeping area. When drawings and color pictures of the prototype were shown around a poor Juarez neighborhood, people said, "You know it'd be like a dream to live in one of these," Nava said. "You know, just the thought of having nice fresh air ventilating through the house, a large bed ... a normal kitchen and a safe home that locks and closes each night was more than appealing."

The article about this project appeared on the CNN website. Brian McCarthy, the man who conceived of this idea, was visiting factories in Ciudad Juarez, across the boarder from El Paso, Texas, as part of finishing his MBA. After visiting the factories, a bus ride took him into an area of hundreds of ramshackle, tiny, paper and tin shacks that housed the workers of the factories he had just toured. In a moment, his life changed. It is one of the good stories.

Good bye Summer, Hello Autumn.

At 3:44 pm today, summer left us for another hemisphere.

"An equinox is the moment in time (not a whole day) when the centre of the Sun can be observed to be directly above the Earth's equator, occurring around March 20 and September 22 each year." Wiki

Happy 500th Palladio!

Villa Barbaro (click for larger image)

The Centro Internazionale di Studi di Architettura Andrea Palladio is celebrating the 500th Anniversary of the birth of Andrea Palladio. The exhibition opened 20 September 2008 and will close 6 January 2009 in, of course, Vicenza, Italy. The curators are attempting to tell the story of a remarkable life and to solve the mystery of how a humble stone cutter became the world's unrivaled master of building design.

Anthony Lambert of The Independent, in London, offers helpful survey of Palladio's influence. The celebration is running during the peak of the Venice Biennale , which this year celebrates architecture. Some jealous souls have coined this year's Biennale the Zaha-GaGa!, because of the larger than life presence and appreciation of the great modern architect Zaha Hadid. But surely, a "Palladio-GaGa" will arise with the opening of this exhibition of his extraordinary life and accomplishments. The ArtDaily.org offers this refreshing slant on the exhibit:

Departing sharply from the usual Classicist black and white interpretation, here Palladio is shown in a new light, as a creator of images, an inventor of new forms or innovative solutions required to overcome the difficulties of irregular sites.

Especially in his late years, by employing colour, giant orders and façades like stage-sets, Palladio strove to design buildings that would move people.

If you believe in the power of architecture to move people and create harmony in communities and living spaces, and you believe in the power of architecture to improve the world we live in, Palladio's your guy. He's certainly ours.

Troubled Waters.

The documentary "Flow: For Love of Water" by Irena Salina, premiered in New York, September 4. The ideas it presents are startling. Consider this from Cory Doctorow over at Boing Boing:

Global water profiteering is at the center of a global healthcare crisis that kills more people than AIDS or malaria. The film shows the grim reality of water in Asia, Africa, South and Central America, and the USA. The mortality is awful, and not just from bad water or no water -- also from police forces in states like Bolivia who go to war against people whose water supply has been sold to foreign multinationals who are reaping windfall profits while they die.

In the US and Europe, the bottled water industry pulls in billions to sell products that are more contaminated and toxic than what comes out of the tap. The result is a gigantic mountain of empty plastic bottles that toxify the environment -- and three times more money spent on bottled water than it would take to solve the world's real water crisis. The companies like Nestle that pump out our aquifers use private investigators to harass people who sign petitions to stop them from pumping.

But it's not all doom and gloom -- low-cost, sustainable purification technologies like ultraviolet water-health run by village cooperatives can make dramatic development differences for the poorest, most vulnerable people in the world, who are able to maintain their own systems without foreign involvement. Local activists all over the world and fighting back and winning public, non-profit ownership of their waterworks.

Only a few companies control the destiny of our planet's water. How can this happen? "Flow" film promoters ask us to support Article 31 of the United Nations Universal Declaration of Human Rights. This Article declares that no one should be deprived of access to water, no matter what their financial circumstances. Amazing that we need resolutions to assure the right to this life sustaining element.

Keep an eye out for this important film.

MTV | Green Song

It IS cheerful!

(hat tip to fernando,via: notcot.org)

Don Quixote, we have some windmills for you.

Vestas wind turbines on the high plains.

If the science is accurate, it rather takes the breath away to think that we could power nearly one quarter of the grid with wind, and—love him or hate him—having Pickens as pitchman certainly suggests the idea has gone mainstream. (Quote from following linked article)

Archinect covers the T. Boone Pickens wind turbine power plan. It offers a review of the Pickens' plan and a brief review of the 2008 Presidential candidate's energy plans.

R. Buckminster Fuller @ the Whitney

One of the first retrospectives on the work of "Bucky" Fuller, is at the Whitney Museum through September 21. Better hurry!

But, if you can't get there, the Whitney link above is chock full of information on this amazing man.

One of the great American visionaries of the twentieth century, R. Buckminster Fuller (1895-1983) endeavored to see what he, a single individual, might do to benefit the largest segment of humanity while consuming the minimum of the earth's resources. Doing "more with less" was Fuller's credo. He described himself as a "comprehensive anticipatory design scientist," setting forth to solve the escalating challenges that faced humanity before they became insurmountable.

Fuller's innovative theories and designs addressed fields ranging from architecture, the visual arts, and literature to mathematics, engineering, and sustainability. He refused to treat these diverse spheres as specialized areas of investigation because it inhibited his ability to think intuitively, independently, and, in his words, "comprehensively."

Quote II for the Day

Fuller in 1949 with scale models of his Standard of Living Package
and Skybreak Dome. (Courtesy: Whitney Museum of American Art)

“Our beds are empty two-thirds of the time.
Our living rooms are empty seven-eighths of the time.
Our office buildings are empty one-half of the time.
It’s time we gave this some thought.”

R. Buckminster Fuller

Allison Arieff, NYT Article, "Housing the Universe"

James and Dolly's House.

Preservationist will not be able to resist this wonderful blog about the restoration of James and Dolly Madison's home, Montpelier Mansion. The blog provides some terrific insight into the long and detailed process of restoring an historic home, this one being the home of, no less than, the Father of the American Constitution. With the restoration, the mansion is being returned in size, structure, form, and finishes to the home that James and Dolley Madison knew in the 1820s.

The official opening celebration of the restored home will take place tomorrow, September 17 at the site in Orange, Virginia. The festivities include numerous dignitaries and a living flag made up of 2,500 school children from local elementary schools. And... a Drum and Fife Corps; well, of course.

Quote for the Day

"Study Hall" at the Kanagawa Institute of Technology in Japan,
by Junya Ishigami, who created Japan's installation at the architecture
exhibition in Venice. (junya.ishigami+associates)

The Venice Biennale's International Architecture Exhibition is in full swing. Here is a brief review of the goings on. The theme of this year's exhibition is "Out There: Building Beyond Architecture." This coupled with the text over the entrance hall, "Architecture is not building. Architecture is about building," set the tone for reported "feast" of design.

The article ends with a thought about the rich and inexhaustible coupling of traditional and modern ideals. Catalonian architect Victor Lopez Cotelo proposed that the future lies

in combining rural and the urban, the spontaneous and planned, the natural and the built, the pre-existent and what is to come, so that memory finds its rightful place in the present.

A tall and inspiring order.

The Beauty of Re-use

This 230 year old building inspired FNP Architekten in Germany to create a unique blend of modern and aged architecture. Partly demolished in WWII this structure sat idle for decades before these designers figured out a way to insert an entire building within the existing building - providing shelter and protection for the aged structural shell. If innovative architects can make something like this, it would seem that the sky is the limit.

The results are striking and make a wonderful statement about the embodied historic, economic, and material energy present in older structures. If an eighteenth century farm building can be renovated, imagine all of the older historic structures that exist in American inner cities that languish at ineptitude of our civic leaders to provide incentives for their redevelopment. Surely a building that can leverage the embodied energy of three hundred years is worth more to a city and a developer than a newly conceived structure reliant on its own internal architectural / programmatic dialogue to give it meaning and depth.

Gulp Locally.

Ok, it seems we are catching on in small ways, moving closer to understanding our water delusions. Gulp this.

Of What Use is Graphic Design?

Times Square - mega signage

Graphic designers are often stumped when asked to explain themselves. We recently found a set of images, by Gregor Graf, that help to demonstrate visually what the world would look like, in one respect, without GRAPHICS. (Click on the words "Hidden Town" in the left column.)

Gregor Graf draws the viewer's gaze to the city...completely purged of signs. With purposely intentional retouching, he emphasizes the architectonic and structural features of the city in an extreme way. The streets seem unreal, culturally interchangeable and alien. They call for a new kind of perception beyond the realm of our familiar experiences and patterns. At the same time, though, these pictures open up a view of architecture that is otherwise blocked and "clarified" spatial systems.

Illuminating.

The Tiny House Movement Gets Bigger

Tumbleweed Weebee at Sunset

The above house is the same one pictured in this New York Times article reviewing the tiny house movement. Rather than being earthbound on a quiet evening at sunset, as it is shown above, the NYT shows the house rolling headlong down a ramp and into the busy traffic of a Los Angeles expressway. The photo offers a symbolic statement of the status of the Tiny House moving right into the flow of the modern world.

The Tiny House movment is not new. It has been a cultish delight ever since Henry David Thoreau first went into the woods and declared the virtues of simplicity. Anyone who knows us, knows of our commitment to the "Not So Big House." The emerging publicity and adoration for the really Tiny House is gratifying to see. Though few of us could live in one, still, they remind us of reducing our acquisitiveness and simplifying our lives. They can provide space for a myriad of uses: studios, retreats, garden escapes, mountain get-a-ways, writing space, music room, etc.

Design Boom recently offered a link to modern Tiny Houses, some of which are quite cool. For those who prefer an urban feel, the tiny house movement has not ignored your sensibilities. No longer will you have to settle for the narrow, bird house look of the traditional tiny house. There are options.


We invite you to view this video created by National Geographic. It features the small, now famous, Penguin House designed by Yasuhiro Yamashita in Tokyo. Yamashita took an extremely small footprint, even for Tokyo standards, and created the illusion of space with high ceilings, wise sight lines, and well-placed windows.

Finally, above, courtesy of the blog Miss Modular, one of our secret delights, is a boxcar called home. The ultimate eco-decision: adaptive reuse. Roll this thing right to Boise, Battle Creek or...Baltimore, you've got a home. We will continue to cover this unique and inspiring movement. The time could not be better.

Don't Do It!

The studio of the artist Arnold Bergier, at Greenwich Avenue and 10th Street,
which was demolished in 1960 to make way for a 14-story building
(despite the painted entreaties). Photograph by Fred W. McDarrah.

We talk about the worth of historic preservation. Its value to American cities is inestimable. However, it is sometimes difficult to explain the complexity of its effect. This coverage of a Vanity Fair article via BoingBoing.net helps to demonstrate this thinking. It is a colorful read, describing "a place, a mood, a way of life." The cohesion of the architecture of place is essential to a sense of place.

In last month's Vanity Fair, Christopher Hitchens considers the importance of urban "Bohemias" and why the ultimate demolishment/development of New York's Greenwich Village is a very, very sad thing. From the essay:

It isn’t possible to quantify the extent to which society and culture are indebted to Bohemia. In every age in every successful country, it has been important that at least a small part of the cityscape is not dominated by bankers, developers, chain stores, generic restaurants, and railway terminals. This little quarter should instead be the preserve of—in no special order—insomniacs and restaurants and bars that never close; bibliophiles and the little stores and stalls that cater to them; alcoholics and addicts and deviants and the proprietors who understand them; aspirant painters and musicians and the modest studios that can accommodate them; ladies of easy virtue and the men who require them; misfits and poets from foreign shores and exiles from remote and cruel dictatorships. Though it should be no disadvantage to be young in such a quartier, the atmosphere should not by any means discourage the veteran. It was Jean-Paul Sartre who to his last days lent the patina to the Saint-Germain district of Paris, just as it is Lawrence Ferlinghetti, last of the Beats, who by continuing to operate his City Lights bookstore in San Francisco’s North Beach still gives continuity with the past.

In aspect and design, New York’s West Village is the opposite of Soho in London in that it began its existence before the famous evolution of Manhattan as a grid had taken shape. As Malcolm Cowley phrased it, evoking the Village just after the First World War, “Most of us drifted to Manhattan to the crooked streets south of Fourteenth, where you could rent a furnished hall-bedroom for two or three dollars weekly.… We came to the Village … because living was cheap, because friends of ours had come already … because it seemed that New York was the only city where a young writer could be published.” Trying to sum up the ethos, Cowley wrote that for his generation the Village was something more than “a place, a mood, a way of life: Like all bohemias, it was also a doctrine.”